a possible story

2021-2026 This series was born from a seemingly simple gesture: a return to analog photography. This quickly became a necessary brake. The camera’s technical limitations forced me to abandon the reflex of capturing the moment and to ask myself, instead, what I seek in...

creative communications / visual production

Institutional film / cultural conceptual narrative French Protestant Federation celebratediversitycommitments clientAggelos CoordinationAlain Gross Motion design film created to present the Protestant religion from its origins. The main challenge of this animation was...

first potato stew, perhaps

Brebu Nou, 2023

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2026, Romania

a dialogue of stripes

2024, France

fiction vs reality

Bordeaux, 2022

the context

Footage from the Romanian Revolution Timişoara, December 22, 1989 street protests in Opera Square. TULCAN DORUARCHIVE 1975-1989 05:12 min.Camera: Doru TulcanFormat: Super 8mm film https://vimeo.com/1077392525/637bc6dda4 How Socialism Was Built At that time, the...

negative film viewer

elsewhere

2022

my monkey mind

2026, Bègles, France

blog | the monkey mind

le deuxième message

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commissions

I cover public and personal events, provide images for editorials, documentaries, theatre, and dance performances, backstage images, music videos, and brand stories.

my projects

The series presented here shed light on my current concerns, seeking to identify visual patterns that recur, to varying degrees, and sometimes almost obsessively, in each series. The context in which the subject is seen is crucial.

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Thus, playing with distance, circling around the object (The Corselet), traversing patterns of representation can produce the indecipherable, the familiar, a loss of meaning, or a new configuration of reference points. Looking closely, observing from afar, being in the midst of movement (Between A&B), encountering reflections (Blend in, Reflected events), the reversals, and the doubles of reality (Light just beyond red, The place). My photography practice continuously challenges the certainties of perception, both in the abstraction of form and in the identification of figures.

recovered memory

This archive rather contains the period 1989 – 1997, when I was studying at the Ion Andreescu Academy of Fine Arts in Cluj, a city that gradually became my new “home”.

about

I was born in Timisoara, Romania. I am a designer and visual artist, currently living and working in Bordeaux, France since 2008.

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